radio.pervii.com

Venice Classic Radio Italia

 
Rating:
19
volume Play
Venice Classic Radio Italia
Venice Classic Radio Italia
http://veniceclassicradio.eu
Generi:  Classica musica
Bitrate: 192  192
Venice Classic Radio Italia - Beautiful Classical Music - è una webradio digitale italiana di musica classica che propone ogni giorno un repertorio di musica antica, barocca, da camera, sinfonica, lirica e contemporanea. Ascolta Venice Classic Radio online in diretta streaming!
Commenti (1)down
Lista di radio
La Sua Radio playlist è vuota (Registro)
Loading
Che ha giocato alla radio:
Venice Classic Radio Italia
47min. fa
Johann Sebastian Bach (1685-1750) - Concerto Per Clavicembalo E Archi ...
1o. 44min. fa
Domenico Gallo (1730-1768) - Sonata Per 2 Violini E Basso Continuo In ...
2o. 48min. fa
Johann Sebastian Bach (1685-1750) - Concerto Per Clavicembalo E Archi ...
3o. 46min. fa
François Couperin (1668-1733) - 'les Fauvétes Plaintives' ...
4o. 47min. fa
Johann Sebastian Bach (1685-1750) - Suite Orchestrale In Do Maggiore N...
5o. 47min. fa
Muzio Clementi (1752-1832) - Sinfonia In Re Maggiore No.2 Op.18 (16:45...
6o. 46min. fa
Gustav Mahler (1860-1911) - Sinfonia In Sol Maggiore No.4 - I (16:13) ...
7o. 48min. fa
Ernest Alder (1853-1904) - 'la Muette De Portici' - Pots-Pou...
8o. 46min. fa
Antonio Rosetti (1750-1792) - Concerto Per Fagotto E Orchestra In Si B...
9o. 43min. fa
Frederic Chopin (1810-1849) - Fantasia Su Un'aria Polacca In La M...
10o. 37min. fa
Felix Mendelssohn Bartholdy (1809-1847) - 'lieder Ohne Worte&apos...
11o. 36min. fa
Giovanni Paisiello (1740-1816) - Concerto Per Pianoforte E Orchestra I...
12o. 34min. fa
Giovanni Zamboni (Xviii Sec) - Sonata Per Arciliuto N.2 Op.1 (08:32) ...
13o. 30min. fa
Fritz Kreisler (1875-1962) - 'praeludium Und Allegro' Nello ...
14o. 35min. fa
Antonio Vivaldi (1678-1741) - Concerto Per Violino E Orchestra In Sol ...
15o. 33min. fa
Maurice Ravel (1875-1937) - '? La Manière De... Borodine' P...
16o. 29min. fa
Ludwig Van Beethoven (1770-1827) - Sonata Per Violino E Pianoforte In ...
17o. 30min. fa
Luigi Boccherini (1743-1805) - Quintetto Per Archi In Si Minore G350 (...
18o. 32min. fa
Antonio Vivaldi (1678-1741) - Concerto Per Flauto E Orchestra In La Mi...
19o. 36min. fa
Ignaz Joseph Pleyel (1757-1831) - Temi E Variazioni Per Violoncello E ...
YouTube








HIT
Archivio Lun Mar Mer Gio Ven Sab Dom TOP








100!
Venice Classic Radio Italia    
TOP 20 G Valutazione
Antonio Vivaldi (1678-1741) - Concerto Per Violino Solo, Archi E B.c. In Re Magg. Rv210 Op.8 (12:13) {+info: Veniceclassicradio.eu}
76 0
Wolfgang Amadeus Mozart (1756-1791) - Concerto Per Corno E Orchestra In Mi Bemolle Maggiore No.3 K447 (16:42) {+info: Veniceclassicradio.eu}
52 0
Carl Philipp Emanuel Bach (1714-1788) - 'minuet Di Pietro Locatelli' Con 21 Variazioni Per Pianoforte In Sol Wq118.7 H14 (23:26) {+info: Veniceclassicradio.eu}
50 0
Wolfgang Amadeus Mozart (1756-1791) - Sonata Per Pianoforte In Fa Maggiore No.15 Kv533/494 (22:10) {+info: Veniceclassicradio.eu}
43 0
Wolfgang Amadeus Mozart (1756-1791) - 'prager' - Sinfonia In Re Maggiore No.38 Kv504 (27:57) {+info: Veniceclassicradio.eu}
38 0
Ludwig Van Beethoven (1770-1827) - '6 Bagatellen' Per Pianoforte Op.126 (19:45) {+info: Veniceclassicradio.eu}
36 0
Giuseppe Tartini (1692-1770) - Concerto Per Violino In La Maggiore D98 (08:49) {+info: Veniceclassicradio.eu}
31 0
Ludwig Van Beethoven (1770-1827) - Sonatina Per Pianoforte In Sol Maggiore No.1 Anh.5 (03:32) {+info: Veniceclassicradio.eu}
30 0
Johann Sebastian Bach (1685-1750) - Concerto Per 3 Clavicembali E Archi In Re Minore Bwv1063 (13:55) {+info: Veniceclassicradio.eu}
29 0
Luigi Boccherini (1743-1805) - Quintetto Per Archi In Do Maggiore G349 (19:28) {+info: Veniceclassicradio.eu}
26 0
Georg Friedrich Haendel (1685-1759) - Concerto Per Organo E Orchestra In Si Bem. Magg. No.6 Hwv294 (12:07) {+info: Veniceclassicradio.eu}
26 0
Johann Sebastian Bach (1685-1750) - 'was Mir Behagt Ist Nur Die Muntre Jagd' - Cantata Bwv208 - X (03:57) {+info: Veniceclassicradio.eu}
25 0
Domenico Scarlatti (1685-1757) - Sonata Per Mandolino In Re Minore K90 (10:54) {+info: Veniceclassicradio.eu}
25 0
Wolfgang Amadeus Mozart (1756-1791) - Sinfonia In La Maggiore No.29 Kv201 (22:24) {+info: Veniceclassicradio.eu}
24 0
Antonio Rosetti (1750-1792) - Concerto Per Corno E Orchestra In Mi Bemolle Maggiore M-c49 (17:31) {+info: Veniceclassicradio.eu}
23 0
Felix Mendelssohn Bartholdy (1809-1847) - 'italienische Symphonie' In La Maggiore No.4 Op.90 (28:18) {+info: Veniceclassicradio.eu}
23 0
Karl Kohaut (1726-1784) - Concerto Per Liuto E Archi In La Maggiore (12:03) {+info: Veniceclassicradio.eu}
21 0
Georg Friedrich Haendel (1685-1759) - Suite Per Pianoforte In Sol Minore Hwv439 (12:44) {+info: Veniceclassicradio.eu}
20 0
Franz Joseph Haydn (1732-1809) - Sonata Per Pianoforte In Sol Maggiore N.4 Hob.xvi:g1 (06:11) {+info: Veniceclassicradio.eu}
20 0
Wolfgang Amadeus Mozart (1756-1791) - Quartetto Per Archi In Sol Maggiore No.1 K80 (15:12) {+info: Veniceclassicradio.eu}
18 0
Italiano RSS: Velocità di lettura 0
RSS: Notizia
Musica Sport Vario Politica Hi-Tech Attività commerciale Hardware
  • Max Reger

    classical-music.com | Mon, 18 Mar 2019 12:10:05 +0000

    When not dismissed out of hand, Reger is often derided as the master of unwieldy German stodge. That’s unfair...

    Think of three great composers active in the first decade of last century, all with two-syllable names ending in ‘r’. Elgar... yes. Mahler... yes. But the third? Max Reger. Max Who? That’s just the trouble. Reger is well known in his native Germany, but his name has obstinately refused to travel abroad.

    Admittedly, Reger could be his own worst enemy.

    read more

  • The BBC Music Magazine Playlist

    classical-music.com | Mon, 18 Mar 2019 11:37:20 +0000

    Rating: 
    0

    Every Monday, the BBC Music Magazine team choose their favourite new recordings of the past week. The tracks are compiled into The Playlist, which can be accessed via the BBC Music Magazine's Apple Music page

     

    This week's playlist:

     

    The listings for previous playlists are featured below.

     

     

    Vol. 15

    Florence Price Symphony No. 1: IV. Finale (Fort Smith Symphony/John Jeter)

    Chopin Mazurka in B, Op. 56 No. 1 (Maurizio Pollini)

    Berlioz Le Carnaval Romain: Overture (Detroit Symphony Orchestra/Paul Paray)

    Reinecke Cello Sonata No. 1: III. Finale. Allegro molto ed appassionato (Martin Rummel, Roland Kruger)

    Mozart Piano Sonata No. 2: III. Presto (Peter Donohoe)

    Nils Frahm Sweet Little Lie (Nils Frahm)

    JS Bach Concerto for Violin and Oboe in C minor: I. Allegro (Isabelle Faust, Xenia Löffler, Bernhard Forck, Academy for Ancient Music)

    Zemlinsky Clarinet Trio in D minor (Version for Violin Cello & Piano): III. Allegro (Stefan Zweig Trio)

    Jean Français Imromptu for Flute and Strings: III. Scherzando (Ransom Wilson, BBC Concert Orchestra/Perry So)

    Robert Schumann Phantasiestücke, Op. 88: II. Humoreske. Lebhaft (Live) (Gautier Capuçon, Martha Argerich, Renaud Capuçon)

    Max Bruch Die Loreley, Op. 16, Act I: Ave Maria! (Michaela Kaune, Philharmonischer Chor Prag, Müncher Rundfunkorchester/Stefan Blunier)

    Anon Ther is No Rose of Swych Virtu (The Telling)

     

    Vol. 14

    Mozart Symphony No. 13: I. Allegro (Folkwang Kammerorchester Essen/Johannes Klumpp)

    Roxanna Panufnik The Sweet Spring (Blossom Street, Annabel Thwaite, Hilary Campbell)

    Robert Schumann Cello Concerto: III. Sehr lebhaft (Live) (Gautier Capuçon, Chamber Orchestra of Europe/Bernard Haitink)

    Weber Piano Sonata No. 2 in A-flat: II. Andante. Ben tenuto (Paul Lewis)

    Janáček String Quartet No. 2 ‘Intimate Letters’: II. Adagio – Vivace (Wihan Quartet)

    Sibelius Symphony No. 3: III. Moderato – Allegro (ma non tanto) (Orchestre de Paris/Paavo Järvi)

    André Campra Achille et Déidamie: ‘Timbales et trompettes’ (Le Concert Spirituel/Hervé Niquet)

    Corelli Concerto grosso in F: IV. Allegro (Marco Scorticati, Estro cromatico/Sara Campobasso)

    Trio Tapestry Sparkle Lights (Joe Lovano, Marilyn Crispell, Carmen Castaldi)

     

    Vol. 13

    Berlioz Symphonie fantastique: II. Un Bal (Transcribed for piano duet) (Jean-François Heisser, Marie-Josèphe Jude)

    Schubert Octet in F, III. Allegro vivace – Trio (OSM Chamber Soloists)

    Schumann Three Romances: I. Nicht Schnell (Stephen Waarts, Gabriele Carcano)

    Bernstein Mass: No. 2, Hymn & Psalm. A Simple Song (Arr. for voice, flute, electric guitar, harp and organ) (Anne Sofie von Otter, Sharon Bezaly, Fabian Fredriksson, Margareta Nilsson, Bengt Forsberg)

    Juan Crisostomo de Arriaga Médée: Hymen, viens dissiper une vaine frayeur (Berit Norbakken Solset, BBC Philharmonic/Juanjo Mena)

    Rzewski Four North American Ballads: No. 1, Dreadful Memories (After Aunt Molly Jackson) (Adam Swayne)

    Johannes Ciconia O rosa bella, o dolce anima mia (The Telling)

    Liszt Sardanapalo: Vieni! Risplendono festive faci (Damen des Opernchores des Deutschen Nationaltheaters Weimar, Staatskapelle Weimar/Kirill Karabits)

    Florence Price Symphony No. 4: IV. Scherzo (Fort Smith Symphony/John Jeter)

    Hoffmeister Double Bass Quartet No. 3 in D: I. Moderato (Niek De Groot, Minna Pensola, Antti Tikkanen, Tuomas Lehto)

     

     

    Vol. 12

    Mendelssohn Piano Concerto No. 2: III. Finale. Presto scherzando (Ronald Brautigam, Die Kölner Akademie/Michael Alexander Willens)

    Haydn Concerto per il Corno da caccia in D: I. Allegro (Premysl Vojta, Martin Petrák, Haydn Ensemble Prague)

    Dvořák Symphony No. 9 ‘From the New World’: III. Molto vivace (Bamberg Symphony Orchestra/Jakub Hrusa)

    Vivaldi Tito Manlio: ‘Combatta un gentil cor’ (Cecilia Bartoli, Serge Tizac, Ensemble Matheus/Jean-Christophe Spinosi)

    Giuseppe Sammartini Recorder Concerto in F: II. Siciliano (Lucie Horsch, The Academy of Ancient Music/Bojan Cicic)

    CPE Bach Solo in G: II. Allegro (Anaïs Gaudemard)

    Robert O’Dwyer Act I Scene I: An tráth a mbíonn an spéir fá scáil (Imelda Drumm, Irish National Opera Chorus, RTE National Symphony Orchestra/Fergus Sheil)

    Ami Maayani Toccata (Elisa Netzer)

    Tchaikovsky Swan Lake: Act III. No. 17 Scène: Entrée des invites (Fanfares) et la valse (Allegro) (London Symphony Orchestra/Anatole Fistoulari)

     

    Vol. 11

    Piazzolla Tango para una ciudad (Quinteto Astor Piazzolla)

    Schumann Cello Concerto in A minor: II. Langsam (Sol Gabetta, Kammerorcheser Basel/Giovanni Antonini)

    Schumann Zwölf Gedichte, Op. 35 No. 5, Sehnsucht nach der Waldgegend (Christian Gerhaher, Gerold Huber)

    Bruch Concerto for Clarinet and Viola in E minor: III. Allegro molto (Dimitri Ashkenazy, Anton Kholodenko, Royal Baltic Festival Orchestra/Mats Liljefors)

    Schoenberg Drei Klavierstücke Op. 11 No. 1: ‘Mässige Virtel’ (Jeremy Denk)

    Verdi et al. Messa per Rossini: 11. Agnus Dei (Veronica Simeoni, Orchestra del Teatro alla Scala di Milano/Riccardo Chailly)

    Ethel Smyth Violin Sonata in A minor: IV. Finale. Allegro vivace (Tasmin Little, John Lenehan)

    Berlioz Harold en Italie: 3. Sérénade d’un montagnard des Abbruzes à sa maîtresse (Tabea Zimmermann, Les Siècles/François-Xavier Roth)

    Xenakis Pléïades: IV. Mélanges (DeciBells, Domenico Melchiorre)

    Schubert Symphony No. 3: IV. Presto vivace (City of Birmingham Symphony Orchestra/Edward Gardner)

     

     

    Vol. 10 

    Vivaldi Il Giustino, Act II: Scene 1. Sento in seno ch’in pioggia di lagrime (Anastasio) (Accademia Bizantina, Ottavio Dantone, Silke Gäng)

    Gulda Concerto for Cello, Wind Orchestra and Band: I. Overture (Edgar Moreau, Raphaël Merlin, Les Forces Majeures)

    Roxanna Panufnik Magnificat & Nunc Dimittis: I. Magnificat (Richard Johnson, Exultate Singers/David Ogden)

    Tchaikovsky Symphony No. 4: IV. Finale (London Symphony Orchestra/Gianandrea Noseda)

    Weber Piano Sonata No. 2: III. Menuetto capriccioso. Presto assai (Paul Lewis)

    Francis Lai Love Story – Theme (Arr. Campbell) (Jess Gillam, BBC Concert Orchestra/Ben Dawson)

    Berlioz Harold in Italy: II. Marche de pèlerins chantant la prière du soir (Tabea Zimmermann, Les Siècles/François-Xavier Roth)

    Arthur Lourié A Phoenix Park Nocturne (Vladimir Feltsman)

    Ramin Djawadi The Rains of Castamere (Arr. Lawson) (VOCES8)

    Philip Glass Etude No. 2 (Jeremy Denk)

    Tallis Suscipe quaeso Domine (prima pars) (The Gentlemen of HM Chapel Royal, Hampton Court Palace/Carl Jackson)

    Debussy Livre I: II. Pour les tierces (Roger Muraro)

     

     

    Vol. 9

    Rachmaninov Prelude in G minor, Op. 23 No. 5 (Live at Philharmonie, Berlin) (Yuja Wang)

    Stravinsky The Firebird: Tableau II, XIX: Disparition du palais et des sortilèges de Kastchei, animation des chevaliers petrifies. Allegresse génerale (Royal Liverpool Philharmonic Orchestra/Vasily Petrenko

    Amy Beach Violin Sonata in A minor, Op. 34: II. Scherzo. Molto vivace (Tasmin Little, John Lenehan)

    Hauscha Dew and Spiderwebs (Hauschka)

    Frank Horvat The Thailand HRDs: No. 5, Boonsom Nimnoi (Mivos Quartet)

    Trad. Deep River (Arr. Coleridge-Taylor, Kanneh-Mason) (Sheku Kanneh-Mason, Isata Kanneh-Mason, Braimah Kanneh-Mason)

    Mendelssohn Lieder ohne Worte, Op. 19: No. 6 in G minor (Andante sostenuto) ‘Venetian Gondola Song’ (Jan Lisiecki)

    Wim Henderickx Nostalgia (Boho Strings)

    Mozart Così fan tutte, Act 1: Aria ‘Come scoglio’ (Héloise Mas, Alexander Sprague, Nazan Fikret, Francesco Vultaggio, European Opera Centre, Biagio Pizzuti, Royal Liverpool Philharmonic Orchestra/Laurent Pillot)

    Philip Glass Melodies for Saxophone (arr. for trumpet): No. 3 (Craig Morris)

    Giovanni Paisiello Partimento in F minor (Nicoleta Paraschievescu)

    Ramin Djawadi The Rains of Castamere (VOCES8)

    Triumphal Parade (Scottish National Jazz Orchestra/Tommy Smith)

     

    Vol. 8

    Josquin Des Prez Miserere mei, Deus, IJ. 50: I. Miserere mei, Deus (Cappella Amsterdam/Daniel Reuss)

    Scriabin Sonata N. 10, Op. 70 (James Kreiling)

    Kaija Saariaho Cloud Trio: I. Calmo, meditato (Jennifer Koh, Hsin Yun Huang, Wilhelmina Smith)

    Dowland Flow, my tears (Stile Antico)

    JS Bach Keyboard Partita in D, BWV 828: VII. Gigue (Federico Colli)

    Prokofiev Violin Concerto No. 2, III. Allegro ben marcato (Joseph Swensen, Scottish Chamber Orchestra)

    Bellini Norma: Casta Diva… Fine al rito (Orchestra E Coro Del Teatro Massimo Di Palermo, Jader Bignamini, Marina Rebeka)

    Lyatoshinsky Symphony No. 3 ‘To the 25th Anniversary of the October Revolution’: III. Allegro feroce (Bournemouth Symphony Orchestra/Kirill Karabits)

    Handel Armida abbandonata, HWV 105: ‘Ah crudele! E pur ten’ vai’ (Emmanuelle Haïm, Le Concert d’Astrée, Sabine Devieilhe

    David Lang Mystery Sonatas: No. 1, Joy (Augustin Hadelich)

    Antheil Archipelago ‘Rhumba’ (BBC Philharmonic Orchestra/John Storgards)

     

    Vol. 7

    Thea Musgrave Loch Ness (Daniel Trodden, BBC National Orchestra of Wales/William Boughton)

    Cheryl Frances-Hoad Love Bytes (Verity Wingate, Philip Smith, Beth Higham-Edwards, Anna Menzies, George Jackson)

    Lutosławski Symphony No. 1: III. Allegretto misterioso (Finnish Radio Symphony Orchestra/Hannu Lintu)

    Purcell King Arthur, Z628, Act 1: ‘I Call, I Call’ (Stefanie True, Vox Luminis/Lionel Meunier)

    Finzi Violin Concerto: I. Allegro (Ning Feng, Royal Liverpool Philharmonic Orchestra/Carlos Miguel Prieto)

    Brahms Two Rhapsodies, Op. 79 No. 2 in G minor – Molto passionato, ma non troppo allegro (Charles Owen)

    Copland Letters from Home (Version for Chamber Orchestra) (BBC Philharmonic Orchestra/John Wilson

    Szymanowski Nocturne and Tarantella in E minor, Op. 28: I. Nocturne (Jennifer Pike, Petr Limonov)

    Beethoven Fidelio, Op. 72: O welche Lust (James Gaffigan, Zürcher Sing-Akademie, Luzerner Sinfonieorchester)

    Liszt Études d’exécution transcendante d’après Paganini: No. 1 in G minor (Elisa Tomellini)

    Corelli Violin Sonata in C Op. 5 No. 3 (transcribed for viola da gamba): III. Adagio (Lucile Boulanger)

    Mozart String Quintet No. 5: IV. Allegro (Klenke Quartett, Harald Schoneweg)

     

    Vol. 6

    Saint-Saëns Ascanio, Acte I, Tableau 1: Scène 1 ‘Très bien!’ (Jean-François Lapointe, Joé Bertili, Chœrs de la Haute École de Musique de Genève/Guillaume Tourniaire

    Tchaikovsky Piano Concerto No. 1 III. Allegro con fuoco (Xiayin Wang, Royal Scottish National Orchestra/Peter Oundjian

    Purcell Come Ye Sons of Art (Birthday Ode for Queen Mary): ‘Strike the Viol, Touch the Lute’ (Tim Mead, Les Musiciens de Saint-Julien/François Lazarevitch)

    Aleksander Sedlar Savcho 3 (Nemanja Radulovic, Double Sense, Stéphanie Fontanarosa/Aleksander Sedlar)

    Barbara Strozzi Arie, Op. 8 No. 2: ‘Che si può fare’ (Emoke Baräth, Il Pomo d’Oro/Francesco Corti)

    Josef Suk 6 Piano Pieces, Op. 7: No. 1, Liebeslied (arr. for violin and orchestra) (Eldbjørg Hemsing, Antwerp Symphony Orchestra/Alan Buribayev)

    Scheidemann Pavana Lachrymae in D minor (Yoann Moulin)

    Beethoven String Quartet in E minor ‘Razumovsky’: III. Allegretto (Elias String Quartet)

    Mozart Violin Sonata in D Major, K306: III. Allegretto (Isabelle Faust, Alexander Melnikov)

    Moteverdi Vespro della Beata Vergine: VIII. Paslmus 126. Nisi Dominus a dieci voci (Bruno Boterf, Ludus Modalis)

     

    Vol. 5

    Tchaikovsky Swan Lake, Act 1 (1877 Version): No. 8, Danse des coupes. Tempo di polacca (State Academic Symphony Orchestra of Russia ‘Evgeny Svetlanov’/Vladimir Jurowski

    John Harbison Requim, Pt. 1: II. Sequence I. Dies irae (Nashville Chorus, Nashville Symphony/Giancarlo Guerrero)

    Richard Strauss 5 Lieder, Op. 41: No. 1, Wiegenlied (Arabella Steinbacher, WDR Symphony Orchestra/Lawrence Foster)

    Parry English Lyrics, Set 12: No. 7, The Sound of Hidden Music (Sarah Fox, Andrew West)

    Andrzej Panufnik I Kwartet smyczkowy: III. Postlude (Apollon Musagete Quartett)

    Chopin Piano Sonata No. 2: II. Scherzo (Live) (Eric Lu)

    Szymanowski Nocturne & Tarantella in E minor, Op. 28: II. Tarantella (Jennifer Pike, Peter Limonov)

    Einaudi Life (Live) (Angèle Dubeau, La Pietà)

    Giovanni Antonio Pandolfi Mealli 6 Sonatas for Violin and Continuo, Op. 3: Sonata No. 2 ‘La Cesta’ (Elicia Silverstein, Mauro Valli)

    Dvořák Piano Trio No. 4 in E minor: II. Poco adagio (Christian Tetzlaff, Tanja Tetzlaff, Lars Vogt)

    Florence Price Symphony No. 4: III. Juba Dance (Fort Smith Symphony/John Jeter)

    Mozart Piano Concerto No. 16: III. Allegro di molto (Jean-Efflam Bavouzet, Manchester Camerata, Gábor Takács-Nagy

    Haydn Piano Sonata in G major, Op. 30 No. 5: I. Allegro con brio (Roman Rabinovich)

    Johann Strauss I Radetzky-Marsch, Op. 228 (Christian Theilemann, Vienna Philharmonic

     

    Vol. 4

    Arvo Pärt Passacaglia (Victoria Mullova, Estonian National Symphony Orchestra/Paavo Järvi)

    Michael Higgins The Angel Gabriel (Sonoro/Neil Ferris)

    Debussy Cello Sonata in D minor: I. Prologue. Lent. Sostenuto e molto risoluto (Jean-Guiden Queyras, Javier Perianes)

    Massanet Hérodiade, Act 1: ‘Celiu dont la parole efface… Il est doux, il est bon’ (Salomé) (Elsa Dreisig, Orchestre national Montpellier Occitanie/Michael Schonwandt

    Poulenc Concerto for Organ, Strings and Timpani in G minor: I. Andante (Live) (James O’Donnell, London Philharmonic Orchestra/Yannick Nézet-Séguin)

    Schumann Fantasiestücke Op. 72: I. Zart und mit Ausdruck (Sol Gabetta, Bertrand Chamayou)

    Gurney Since I Believe in God the Father Almighty (Teberae/Nigel Short)

    Peter Gregson Bach: The Cello Suites: Recomposed by Peter Gregson – Suite No. 1 in G, BWV 1007: I. Prelude (Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson)

    JS Bach Concerto in D minor, BWV 974: III. Presto (Víkingur Ólafsson)

    Purcell King Arthur, Act 1: ‘Come If You Dare’ (Robert Buckland, Vox Luminis/Lionel Meunier)

    Messiaen La Nativité du Seigneur: V. Les enfants de Dieu (Richard Gowers)

    George Onslow String Quartet No. 29 in E-flat, Op. 73 Elan Quintet)

    Cécile Chaminade Arabesque No. 1, Op. 61 (Mark Viner)

    Enescu Strigoii, Pt. 3: Bătrânu-și pleacă geana și iar rămâne orb (Alin Anca, Rundfunk-Sinfonieorchester Berlin/Gabriel Bebeșelea)

    Max Richter Mary Queen of Scots: The Shores of Scotland

    Tchaikovsky Swan Lake, Act II (1877 version): No. 13a, Danses des cygnes I. Tempo di valse

     

     

    Vol. 3

    Emilie Mayer Symphony No. 4: IV. Presto (Neubrandenburg Philharmonie/Stefan Malzew)

    Weber Clarinet Quintet in B-flat Major: IV. Rondo - Allegro giocoso (Julian Bliss & Carducci String Quartet)

    John Hess Vous, qui passez sans me voir (Julien Behr, Orchestre de l'Opéra de Lyon/Pierre Bleuse)

    John Francis Wade Adeste fideles (arr. M Suzuki for Choir and Organ) (Bach Collegium Japan Chorus/Masato Suzuki & Masaaki Suzuki)

    Schumann Fantasiestücke: I. Zart und mit Ausdruck (Sol Gabetta, Bertrand Chamayou)

    Domenico Sarro Messa a 5 voci: 'Laudamus te' (Maxim Emelyanychev, Jakub Józef Orliński, Il Pomo d'Oro)

    Holst Invocation Op. 19 No. 2 (Guy Johnston, BBC Philharmonic Orchestra/Andrew Davis)

    Dowland Come, Heavy Sleep (Grace Davidson, David Miller)

    Schumann Humoreske Op. 20: II. Hastig (William Youn)

    RO Morris Love Came Down at Christmas (arr. Stephen Cleobury) (Stephen Cleobury, Henry Websdale, Choir of King's College, Cambridge)

    Tchaikovsky The Seasons Op. 37a: XII. December. Christmas (Barry Douglas)

    Berlioz Roméo et Juliette: Pt. 3, Finale - Oath of Reconciliation (San Francisco Symphony Orchestra & Chorus/Michael Tilson Thomas)

    Elgar Chanson de nuit (Hallé Orchestra/Mark Elder)

    James Burton Tomorrow Shalle Be My Dancing Day (Jack Hawkins, Michael Bell, James Adams, Joseph Wicks, Choir of St John's College, Cambridge)

     

    Vol. 2

    Julian Anderson Heaven is Shy of Earth: III. Gloria (With Bird) (Susan Bickley, BBC Symphony Orchestra & Chorus/Oliver Knussen)

    Richard Strauss Horn Concerto No. 1: III. Rondo. Allegro (Live) (William Caballero, Pittsburgh Symphony Orchestra/Manfred Honeck)

    Derek Bermel Murmurations: I. Gathering at Gretna Green (ROCO)

    Frank Martin Ballade for Flute & Piano (Bridget Bolliger, Andrew West)

    Debussy Violin Sonata in G minor: III. Finale. Très animé (Isabelle Faust, Alexander Melnikov)

    Anonymous Now May We Singen (ORA Singers/Suzi Didby)

    Rachmaninov Prelude in G minor Op. 23 No. 5 (Live at Philharmonie, Berlin/2018) (Yuja Wang)

    James Newton Howard Violin Concerto: II. Andante semplice (James Ehnes, Detroit Symphony Orchestra/Cristian Măcelaru)

    Sally Beamish In the Stillness (Sonoro/Neil Ferris)

    Parry Suite moderne (arr. J Dibble for Orchestra): III. Romanza. Lento (BBC National Orchestra of Wales/Rumon Gamba)

    Jonathan Dove A Brief History of Creation: X. Whales Return to the Sea (Hallé Children's Choir, Hallé Orchestra/Mark Elder)

    Purcell King Arthur, Act 1: 'Come if You Dare' (Robert Buckland, Vox Luminis/Lionel Meunier)

    Rachmaninov Piano Concerto No. 4 (Live at Kimmel Center, Philadelphia) (Daniil Trifonov, The Philadelphia Orchestra/Yannick Nézet-Séguin)

    Fagerlund Höstsonaten, Act 1: charlotte Andergast! Vilken konstnär! (Krista Kujala, Mari Sares, Jere Martikainen, Jarmo Ojala, Finnish National Opera Chorus, Finnish National Opera Orchestra/John Storgards

     

    Vol. 1

    Julian Anderson Heaven is Shy of Earth: III. Gloria (With Bird) (Susan Bickley, BBC Symphony Chorus, BBC Symphony Orchestra/Oliver Knussen)

    Zemlinsky Albumblatt (Erinnerung aus Wien) (William Youn)

    Schreker The Birthday of the Infanta: Suite I. Reigen (Berlin Radio Symphony Orchestra/JoAnn Falletta)

    Mozart Violin Concerto No. 1 K.207: III. Presto (Nikolaj Znaider, London Symphony Orchestra)

    Tchaikovsky The Seasons, Op. 37a, TH 135: XII. December. Christmas (Barry Douglas)

    Holst In the Bleak Midwinter (Sheku Kanneh-Mason, Isata Kanneh-Mason)

    Glazunov The Seasons ‘L’été: No. 9, Scène de l’été (Zagreb Philharmonic Orchestra/Dmitri Kitayenko

    JS Bach Prelude & Fugue BVW 855a: Prelude No. 10 in B minor (Vikingur Ólafsson)

    Magnus Lindberg Tempus fugit Pt. 1 (Finnish Radio Symphony Orchestra/Hannu Lintu)

    Gurney Since I Believe in God the Father Almighty (Tenebrae/Nigel Short)

    Tchaikovsky The Nutcracker Act 1: No. 6 Clara and the Nutcracker (Los Angeles Philharmonic/Gustavo Dudamel)

    Ravel Ma mère l’Oye Suite, M. 60: V. Le jardin féerique (Prague Philharmonia/Emmanuel Villaume)

    Eric Whitacre Deep Field: Earth Choir (Eric Whitacre Singers, Virtual Choir 5, Royal Philharmonic Orchestra/Eric Whitacre)

  • Five essential works by Elgar

    classical-music.com | Sun, 17 Mar 2019 10:00:42 +0000

    Rating: 
    0

    Serenade for Strings

    Elgar’s earliest masterpiece shows him already a master of writing for strings, with an infectiously lilting first movement, and a contemplative slow movement.

    Recommended recording:
    Sinfonia of London/John Barbirolli
    EMI 567 2402

     

     

    Enigma Variations

    Though the ‘Enigma’ title continues to intrigue scholars, this series of musical portraits of Elgar’s wife and friends remain ever-vivid, especially the noble ‘Nimrod’.

    Recommended recording:
    London Philharmonic Orchestra/Adrian Boult
    EMI 764 0152

     

     

    Dream of Gerontius

    Elgar’s dramatic oratorio, depicting the journey of a soul from death through purgatory to heaven, sounds in the best sense operatic rather than a stilted work for the church.

    Recommended recording:
    Richard Lewis, Janet Baker; Hallé Choir & Orchestra/John Barbirolli
    EMI 391 9782

     

     

    Symphony No. 2

    The more flamboyant of Elgar’s two finished symphonies, the Second characteristically contrasts opening swagger with a sense of brooding apprehension and reflection, and includes a nightmarish whirlwind for a scherzo.

    Recommended recording:
    Hallé Orchestra/John Barbirolli
    EMI 968 9242

     

     

    Cello Concerto

    Elgar’s final masterpiece, written in the aftermath of the First World War and shortly before the death of his wife Alice, is noble and restrained yet unmistakably expresses grief for an irretrievably lost era.

    Recommended recording:
    Jacqueline du Pré; LSO/John Barbirolli
    EMI 562 8862

  • The best recordings of Rimsky-Korsakov

    classical-music.com | Sat, 16 Mar 2019 17:00:48 +0000

    Rating: 
    0

    Christmas Eve

    Tarkhov, Krasovsky; Radio Moscow Choir & Symphony Orchestra/Nikolai Golovanov
    Documents 298348

    This 1948 recording is full of character and worth hearing despite historic sound.

     

     

     

    Overture and Suites from the Operas

    RSNO/Neeme Järvi
    Chandos CHAN 10369(2)

    An excellent introduction to Rimsky-Korsakov’s fantastical side.

     

     

     

    The Snowmaiden

    Sokolik, Arkhipova; Tchaikovsky Symphony Orchestra/Fedoseyev
    Relief CR 991049

    A fine cast captures the charm and poignancy of Rimsky-Korsakov’s pantheistic opera.

     

     

     

    Sadko

    Galusin, Tarassova, Gassiev; Kirov Chorus & Orchestra/Valery Gergiev
    Philips 0704399 (DVD)

    A superb cast in a wonderful production of one of Rimsky-Korsakov’s fairy-tale operas.

     

     

  • Six of the best… works by Lili Boulanger

    classical-music.com | Fri, 15 Mar 2019 12:58:36 +0000

    Rating: 
    0

    Faust et Hélène (1913)

    Based on a poem by Eugène Adenis – itself based on Goethe’s Faust – Boulanger crafted a thirty-minute cantata for choir and orchestra, featuring solo parts for mezzo-soprano, tenor and baritone. The work won her the 1913 Prix de Rome, the first time the prize had been awarded to a woman composer. She is said to have written it in just four weeks.

     

    Du fond de l’abîme (1914-17)

    This ambitious work, based on Psalm 130, was on Boulanger’s writing desk for a long while, largely thanks to the outbreak of war. During the war years, the composer volunteered for the Franco-American Committee; she also became quite ill during this period. The work is arranged for contralto, tenor, chorus, organ and orchestra.

     

     

    Vieille Prière Bouddhique (1914-17)

    Another work which Boulanger had to find time to return to during the war years was her take on a Buddhist prayer (indeed ‘a daily prayer for the whole universe’). An intensely spiritual work, it remains one of the composer’s greatest accomplishments and sits in quite stark contrast to the more nihilistic Du fond de l’abîme of the same period.

     

    La princesse Maleine (1916-18)

    The writer Maurice Maeterlinck was no stranger to his works being taken on by composers; the most famous example might be Debussy’s Pelléas et Mélisande. Maeterlinck’s La princesse Maleine, however, was one piece he was quite protective of. The only composer he allowed to take it on was Lili Boulanger. It’s said she identified greatly with Maleine, but progress on the five-act opera was slow and she struggled to complete the work. Only fragments of it remain, which leads most scholars to believe it went unfinished.

     

     

    D’un soir triste / D’un matin de printemps (1917-18)

    This two-part work was completed just a couple of months before her death in 1918, the first half being the moving portrait D’un soir triste (Of a sad evening). Boulanger originally arranged the piece for cello and piano. The second half, D’un matin de printemps (Of a spring morning), is the sprightlier of the two works that make up this musical diptych, and was originally arranged for flute/violin and piano. Both halves were also arranged for piano trio and orchestra.

     

    Pie Jesu (1918)

    Her final work, the Pie Jesu is a deeply emotional and personal work that is in many ways her own Requiem. So unwell was she while working on the music, she actually finished it on her deathbed, dictating what was required to her sister. Nadia Boulanger is said to have been so distraught at Lili’s death, she turned her back on her own composing and decided to focus on teaching instead.

     

     

     

  • Six of the best: operas about Roman leaders

    classical-music.com | Fri, 15 Mar 2019 11:35:20 +0000

    Rating: 
    0

    At a meeting of the senate in the year 44 BC, Julius Caesar was stabbed to death - an event that would eventually lead to the transition from the Roman Republic to the Roman Empire. This assassination, as any Shakespeare enthusiast will know, took place on the Ides of March - that's the 15th on today's calendar.  

    In the centuries since his untimely demise, Julius Caesar – and a host of other Roman leaders and emperors – have featured in great operatic works by the likes of Mozart and Handel among many others. As historical subject matter for opera goes, these Roman figures lives provided music inspiration from the 17th century onwards.

    Here, then, are six of the best operas with Roman leaders at the centre of their plots:

     

    1. Claudio Monteverdi: L’incoronazione di Poppea (The Coronation of Poppaea)

    The first known opera to be based on a factual historical subject (as opposed to mythology), Monteverdi’s masterpiece tells the story of Poppaea, who was able to manipulate her position as the mistress of Nero (emperor, 54-68) to be crowned empress. If anything, Monteverdi tones history down a little – while Poppaea comes across as a nasty piece of work in the opera, by all accounts she was far worse in real life (as was, of course, Nero himself). This opera in three acts was first performed at the Teatro Santi Giovanni e Paolo in Venice between 1642-43. Though Monteverdi is noted as the composer for the work, it is a matter of dispute as to whether or not all of the music was written by him.

     

     

     

    2. Wolfgang Amadeus Mozart: La clemenza di Tito (The Clemency of Titus)

    Though his reign was short lived, Titus (emperor, 79-81) was the perfect subject for this 1791 opera commissioned for the coronation of Emperor Leopold II, King of Bohemia. This two-act opera seria was Mozart’s first operatic work to be performed in England and, though it tells the story of Emperor Titus, he is the only historical character in the work. The plot dwells on the noble qualities of the Roman emperor as he spares the lives of those who try to assassinate him. The real Titus did, in fact, avoid being bumped off, dying instead of natural causes - quite a rarity in early Roman imperial days.

     

     

     

    3. George Frideric Handel: Giulio Cesare in Egitto (Julius Caesar in Egypt)

    Giuiio Cesare (premiered 1724) is undeniably one of the longest and most elaborate of Handel’s operas and its rich historical subject matter has made it the most revived of his stage works. The plot centres around the arrival of Julius Caesar (dictator, 49-44BC) in Egypt following the defeat of Pompey at Pharsalia in Greece. On learning of the assassination of Pompey by Ptolemy, King of Egypt, Caesar is disgusted and, assisted by Pompey’s family and Cleopatra, seeks revenge. Though there are plenty of twists and turns along the way, eventually good overcomes evil and the odious Ptolemy meets his come-uppance. Much of the opera, though, is really about the growing infatuation of its title character with the ultra-seductive Cleopatra.

     

     

     

    4. Arrigo Boito: Nerone (Nero)

    Nerone was premiered in 1924 at Teatro alla Scala, Milan. Boito (1842-1918) spent approximately 50 years working on the opera, which was both his second and his final operatic work – alas, he died before it was completed and the music had to be completed by several other composers. The plot depicts Ancient Rome during the rule of Nero and highlights the difference in lifestyle between the Romans (debauched) and the Christians (noble) and ends with the Great Fire of Rome.

     

     

     

    5. Detlev Glanert: Caligula

    Premiered in 2006, this four-act opera delves into the life of Caligula (emperor, 37-41) and his tyrannous and sadistic reign following the death of his sister, Drusilla. Glanert based his work on a drama by French writer, Albert Camus, and his frantic orchestration is reflective of the mental conditions of Caligula during his rule. The opera combines ideas of mass murder, incest and rape as a way of expressing the madness of the final years of an emperor who, early in his reign, had actually been remarkably liberal and benign as a ruler.

     

     

     

    6. Antonio Vivaldi: Ottone in Villa (Otho in the Country)

    Ottone (Otho, emperor, 69) features as a protagonist in Vivaldi's 18th-century opera, though his role is more as a lover than a heroic Roman leader. Vivaldi’s first opera, it revolves around the character of Cleonilla, mistress of Ottone. The story is pastoral, following the different romantic excursions of the emperor’s mistress as she fawns for the attention of Caio and Ostillo. It turns out that Ostillo is a woman and lover to Caio and the opera concludes with their marriage. The real-life Otho, meanwhile, did not enjoy a happy time as emperor, ruling for just three months during which he faced a major rebellion and then committing suicide.

     

     

     

  • Five facts about composer Georg Philipp Telemann

    classical-music.com | Thu, 14 Mar 2019 07:00:00 +0000

    Rating: 
    0

    JS Bach is regarded as the greatest German Baroque composer today, but back at the start of the 18th century, it was Telemann who ruled the roost.

     

    1. Telemann was so revered in his day that he was the favourite for the Thomaskirche job back in 1722. Fortunately for JS Bach, Telemann turned the post down. In fact, Bach was something like fourth choice for the post of Thomaskantor, or music director.

     

     

    2. Bach and Telemann may have been competitors, but they were also linked personally. Telemann was CPE Bach (JS’s second surviving child) godfather, although it should be noted that that did not mean that that JS Bach and Telemann were friends. It was CPE Bach who took over as the director of music of Hamburg’s five principal churches when Telemann died in 1767. 

     

    3. He was one of music’s most prolific composers, writing in excess of 3,000 works, or almost three times as many as Bach and five times as many as Mozart. His stylistic range is incredible too, able to write equally proficiently in the French, Italian and German styles.

     

     

    4. Telemann had an interesting love life. His second wife regularly cheated on him and built up massive debts before leaving him in the lurch. The composer was eventually bailed out by his friends.

     

    5. Somehow, Telemann also found time for gardening, at which he excelled. ‘I am insatiable where hyacinths and tulips are concerned, greedy for ranunculi, and especially for anemones,’ he wrote once in a letter. He spent a good deal of time in his Hamburg garden and exchanged bulbs and plants with renowned botanists across Europe.

  • A gift to the world

    classical-music.com | Wed, 13 Mar 2019 14:13:47 +0000

    This year’s Bartók World Competition trains the spotlight on pianists from 7 - 15 September

    read more

  • Five of the best sea shanties

    classical-music.com | Wed, 13 Mar 2019 11:54:13 +0000

    Rating: 
    0

    Sea shanties have long been an important part of British musical and maritime culture, and even if that sefaring heyday is now over, groups around the country still preserve the tradition, albeit safe on dry land.

    The word shanty is said to have derived from the French verb ‘chanter’, meaning ‘to sing'. Usually sung by a shanty-man and his crew, shanties often involve call-and-response phrases with strong rhythms to keep sailors in time and lighten the load of their work.

    With the release of Fisherman’s Friends this month – the film based on the real-life shanty crew from Port Isaac in Cornwall – we’ve chosen some of the best sea shanties to get your teeth into. Have a listen, pop down to Cornwall, find the nearest pub, grab a pint and you’ll be able to join in with aplomb.

     

     

    Spanish Ladies

    ‘We’ll rant and we’ll roar like true British sailors’. Ah, the shy retiring Brits. This tune describes a voyage from Spain to England, with sailors trying to gauge how far they are from home. A difficult task, thanks to the awkward location of landmarks on the way – and perhaps a tot or two of rum. Spanish Ladies also forms a section of Henry Woods’s Fantasia on British Sea Songs, so you will probably find this one familiar if you ever tune into the Last Night of the Proms. You'll also have heard it if you're a Jaws fan, as Quint sings it throughout the film. 

     

     

     

    Blow the Man Down

    Any cartoon lovers will already be well acquainted with this shanty: it forms the basis of the theme for SpongeBob SquarePants and also appears in the Popeye cartoons. As opposed to most of the other tunes featured in this list, this shanty doesn’t entirely revolve around raucousness, drinking and debauchery.

    There’s a disagreement among historians about whether Blow the Man Down is to do with the physical fighting that took place on ships or the savage weather conditions to which sailors were exposed. Often, the force of a big wind at sea could knock all the men to the decks. 

     

     

     

    South Australia

    Another shanty for a long journey. This one was sung on boats sailing between the ports of England and, yes, you’ve guessed it, Australia. Its relentless refrain ‘Heave away, haul away’ was used to encourage crews hauling heavy objects to and fro. 

    The verses are flexible and have evolved over time, but the story of the shanty has remained the same. It is an ode to the girls the sailors are leaving back home, while they also drink to the women they will meet on their travels. It’s possible that this shanty dates from the 19th century during the Australian gold rush, when trade between England and Australia was at an all-time high.

     

     

     

    Sloop John B

    Sloop John B is a Bahamian shanty, and was well-known and loved across the seas in the 19th century. Today, you will probably recognise its ‘I want to Go Home’ refrain from The Beach Boys’ adaptation on the album Pet Sounds. Although their recording is commendable, it’s not quite got the authenticity of a bunch of bearded fellas belting it at the top of their lungs with pints in hand. 

     

     

     

    Drop of Nelson’s Blood

    'Nelson’s Blood' became a term for rum, so the story goes, after Nelson’s death at the Battle of Trafalgar in 1805. His body was preserved in a cask of spirits which was tapped and drained, so that sailors were then essentially drinking his blood for the rest of the journey. This shanty – despite its questionable glamorisation of alcoholism and objectification of women – is often sung by groups today, and is also known as 'Roll the Old Chariot Along'.

     

     

    Fisherman’s Friends is released in UK cinemas on 15 March.

  • Free Download: Xiayin Wang plays Tchaikovsky's Piano Concerto No. 1

    classical-music.com | Wed, 13 Mar 2019 11:42:45 +0000

    'Xiayin Wang encompasses Tchaikovsky's virtuoso writing with an arresting poetic impulse and thrilling depth of tone'

    This week's free download is the third movement 'Allegro con fuoco' from Tchaikovsky's Piano Concerto No. 1, performed by pianist Xiayin Wang with the Royal Scottish National Orchestra under Peter Oundjian. The recording received four stars for performance and five for recording in the January 2019 issue of BBC Music Magazine.

    DOWNLOAD INSTRUCTIONS:

    If you'd like to enjoy our free weekly download simply log in or sign up to our website.

    Once you've done that, return to this page and you'll be able to see a 'Download Now' button on the picture above – simply click on it to download your free track.

    If you experience any technical problems please email support@classical-music.com. Please reference 'Classical Music Free Download', and include details of the system you are using and your location. If you are unsure of what details to include please take a screenshot of this page.

    read more

Commenti:
      • Quest: Clebert
      • 👏👏👏👏👏👏 Excelente!
      • Risposta 08:26 <> 09.19.2016 +3
  • Il Suo nome: captcha
Top 20: Italia
P.R.O.G.ProgressiveRockRadio SPORTIVA Venice Classic Radio Italia Venice Classic Radio Italia RTL 102.5 Radio 24 Il Sole 24 Ore - Italia RADIO MARIA ITALIA LOLLIRADIO ITALIA - Best Italian Songs - Italy Italia SPORTIVA LOLLIRADIO ITALIA - Best Italian Songs - Italy Italia Radio 24 Il Sole 24 Ore - Italia Radio Radicale Radio Popolare Milano Radio Popolare Milano RADIO MARIA ITALY RADIO CUORE LOLLIRADIO ITALIA - Best Italian Songs - Italy Italia LOLLIRADIO OLDIES - Italy Italia LOLLIRADIO OLDIES - Italy Italia Laut.fm bluesitalia
Video streaming
  • Play   ChillYourMind Radio • 24/7 Music Live Stream | Deep House & Tropical House | Chill Music, Relax EDM
  • Play   lofi hip hop radio - beats to relax/study to
  • Play   Just Good Music 24/7 ● Stay See Live Radio 🎧
  • Play   Progressive House · Relaxing Focus Music · 24/7 Live Radio
  • Play   Cat Music Live TV / Non Stop Music 24/7 🎧
  • Play   Best Electro House Music Mix 🔥 24/7 Live Stream Music Mix 🔥 Best Remixes Of Popular Songs 2019
  • Play   Shine Music Radio • 24/7 Music Live Stream | Deep & Tropical House | Chill Out | Dance Music Mix
  • Play   24/7 Best Deep House | Chillout Music | EDM 2019 Live Radio
  • Play   Best Remixes Of Popular Songs 2019 : 24/7 Live Stream Music 🔥 Electro House & Party Club Dance Mix
  • Play   🔴Beautiful Piano Music LIVE 24/7: Instrumental Music for Relaxation, Study, Stress Relief
  • Play   NCS 24/7 Live Stream 🎵 Gaming Music Radio | NoCopyrightSounds| Dubstep, Trap, EDM, Electro House
  • Play   Car Music Mix 2019 🔥 Best Electro House & Bass Boosted 🔥 New Hits 🔥 24/7 Live Stream
  • Play   24/7 Rap Music Radio | Hip-Hop, Underground Rap, Hype Rap Music
  • Play   🌴Tropical House Radio | 24/7 Livestream | Summer Music | Kygo
  • Play   Best Shuffle Dance Music 2019 ♫ 24/7 Live Stream Video Music ♫ Best Electro House & Bass Boosted Mix
  • Play   Best Shuffle Dance Music 2019 ♫ 24/7 Live Stream Video Music ♫ Best Remixes Of Popular Songs 2019
  • Play   Trap Music Radio ⚡ Trap Samurai 24/7 - New Remixes of Popular Songs Live Stream
  • Play   Deep House 24/7: Relaxing Music, Chill Study Music
  • Play   🎧Best Of Epic Music • Live Stream 24/7 | WHATEVER IT TAKES
  • Play   College Music · 24/7 Live Radio · Study Music · Chill Music · Calming Music
  • Play   NCS 24/7 Live Stream with Song Request | Gaming Music / Electronic Radio
  • Play   Deep House · Relaxing Study Music · 24/7 Live Radio
  • Play   🔴Peaceful Relaxing Music LIVE 24/7: Music for Deep Sleep. Music for Spa and Massage. Mindful Music
  • Play   Nightcore Radio - 24/7 Music Live Stream
  • Play   RNB / R&B Radio - Live Music Stream 24/7
  • Play   Relaxing Jazz Piano Radio - Slow Jazz Music - 24/7 Live Stream - Music For Work & Study
  • Play   R&B & Soul Radio 24/7 🔴 Best & New RnB / Soul Music
  • Play   Tropical House Radio 🌴 24/7 Live Music
  • Play   Smooth Beats Music - Chill Out Cafe Beats - 24/7 Live Radio - Music For Sleep, Study
  • Play   🔴Space Ambient Music LIVE 24/7: Space Traveling Background Music, Music for Stress Relief, Dreaming
  • Play   POP MUSIC 2019 (POP&NCS) 24/7 MUSIC LIVE STREAM - HUNTER.FM
  • Play   Best Shuffle Dance Music 2019 🔥 24/7 Live Stream Music Mix 🔥 Best Electro House & Bass Boosted
  • Play   Relaxing Live Sleep Music 24/7: Deep Sleeping Music, Beat Insomnia, Relaxing Music, Sleep Meditation
  • Play   Cozy Jazz & Bossa Nova Music With Fireplace - 24/7 Live Stream - Relaxing Cafe Music